AT2k Design BBS Message Area
Casually read the BBS message area using an easy to use interface. Messages are categorized exactly like they are on the BBS. You may post new messages or reply to existing messages! You are not logged in. Login here for full access privileges. |
Previous Message | Next Message | Back to General Micronet Network Chatter... <-- <--- | Return to Home Page |
|
||||||
From | To | Subject | Date/Time | |||
Nick Andre | All | Mixtapes |
July 21, 2023 9:31 PM * |
|||
The subject of audio came up in this single-parent household with my teenage daughter... "If you didn't have Internet, how did you put together playlists of music you liked?" Okay... Grab a Maxell, TDK or Denon chrome-dioxide cassette. The quality of cassette makes a huge difference. Avoid Basf and some other brands. In this household, Maxell XL-II is king. Metal tapes are good but expensive. The tape deck must first be calibrated for proper Bias and EQ, luckily I already did this and my deck has the ability to set this for future use. The azimuth of the heads is also critical but in most cases this is set right. Grab your music from vinyl or CD or perhaps you have a slave-deck and you want to use music from other tapes. Begin by cueing up whatever the song is on the turntable or CD player, while the tape deck is set on Record/Pause. Fast-forward the tape a bit so a test snippet can be recorded which will be recorded over afterward. Allow the song to play while you hit Record. It is important to use a 3-head tape deck to allow monitoring of the recording, so you literally scan through the song or set the needle on what you know is the loudest part of the track. The recording level is then set to that maximum. Rewind the tape a few turns if necessary to play back that loudest part because its important when using Dolby HX or B reduction that there is no distortion. When that peak level is met (paying attention to the VU meters), rewind the tape back to where the recording must start and record the song. This to me is a fine art because it requires careful listening and knowledge of that song's loudest part while carefully adjusting the recording level. Distortion in the recording is a no-no. I do not believe in wasted space on mixtapes, so its important to let the song play all the way through to where there is silence, then repeat the process by rewinding the tape to that exact moment where silence begins and the new recording starts. Also it is necessary to make sure the time of the songs does not "cut off" towards the end of the tape. Vinyl records must be cleaned and CD's inspected for fingerprints or scratches because nothing worse than a skip during a recording; when working with tapes where you do not want silence, this becomes a challenge to "correct" unless you have a very good 3-head deck with a solid stop-mechanism. As in, when you rewind and hit stop, the tape stops dead-on. The flow of songs is important - This is the heart of a mixtape of music is songs that contexually flow from one to the next. Never make a tape of sad-bastard ballads (unless you love depression), there should be a good mix where the entire side of that tape has sortof a musical theme or direction. "Dad... you're insane... I just go on Spotify". Nick --- Renegade vY2Ka2 * Origin: Joey, do you like movies about gladiators? (618:500/24) |
||||||
|
Previous Message | Next Message | Back to General Micronet Network Chatter... <-- <--- | Return to Home Page |
Execution Time: 0.0187 seconds If you experience any problems with this website or need help, contact the webmaster. VADV-PHP Copyright © 2002-2024 Steve Winn, Aspect Technologies. All Rights Reserved. Virtual Advanced Copyright © 1995-1997 Roland De Graaf. |